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Staff review
Staff write-up
NFG are back with their 11th album in 26 years. That output alone is kind of wild. I have not really connected with much of their material since Radiosurgery, outside of a few scattered tracks here and there. So the real question is how this new one stacks up against the classics.
Right off the bat, it is less whiny and nasally while still maintaining that unmistakable NFG sound. The opener “Boom Roasted” is a solid, energetic intro that flows directly into “100%,” which confirms that even after all these years the band can still deliver reliable pop punk energy. Neither track is amazing, but both are good enough to keep things moving.
“Laugh It Off” brings an older feel, almost an MxPx type vibe. Lyrically, not much has changed. It is still love, loss, relationships, and looking back at better days. Familiar ground. While a lot of their contemporaries have shifted toward more raw or reflective material, NFG mostly sticks to the formula that got them here. Case in point, “A Love Song.” You could maybe squint and read it as dad life maturity, but it pretty clearly plays like classic relationship territory.
“Beer and Bloodstains” marks the midpoint and continues the trend of decent but largely interchangeable songs. Up to here, everything sits in that same mid tempo sugary lane. Pleasant enough in the moment, but not especially memorable.
“Medicine” finally shakes things up a bit. The intro has a different texture, almost an Offspring style slow build with a steadier drum backbone. It is the first track that really stands apart from the pack before the album slips back into familiar territory with “Treat Yourself.”
“Dream Born Again” offers another small deviation with a slower approach, though thematically it still circles lost love. The “woahs” on “You Got This” bring some bounce, but structurally it is pretty simple.
“Frankenstein’s Monster” ends up feeling the most classic NFG moment here, with a punchy chorus and that carefree energy longtime fans will recognize. The drumming is especially strong. Lyrically it finally branches out a bit into mental health, nostalgia, and looking back, which helps it stand out. It is the clear high point and a solid closer.
Compared to contemporaries like The Starting Line and Good Charlotte, who have used their recent returns to stretch and dig deeper, New Found Glory take the opposite route. This is more comfort food than reinvention. More of what brought them to the dance.
It is fine. It will probably get a few more spins. But it also feels destined to collect a little metaphorical dust on the playlist shelf.
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